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‎Sculptor Auguste Rodin was fortunate to have his secretary Rainer Maria Rilke, one of the most sensitive poets of our time. These two pieces discussing Rodin's work and development as an artist are as revealing of Rilke as they are of his subject. Written in 1902 and 1907, these essays mark the entr… Get this from a library! Auguste Rodin. [Rainer Maria Rilke; Auguste Rodin] -- Presents English translations of two pieces by Rainer Maria Rilke discussing the work of Auguste Rodin.

Rilke rodin essay

Rilke was 35 years younger. Rilke drifted into Rodin's orbit like a straw moving into a whirlpool. First, he married Rodin's student. The marriage soon ended.

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In 1902, Austrian poet Rainer Maria Rilke visited sculptor August Rodin in Paris to write an essay on the artist for a new series of German monographs. Writing with his usual intensity, Rilke’s poetic language and passion for Rodin’s art make this an engaging account of the artist’s life and work.

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That forehead, the relationship it bears to his nose which rides out of it like a ship out of harbor . . . that is very remarkable. Character of stone is in that forehead and that nose. And his mouth has a speech whose ring is good, intimate, and full of youth. Rilke’s essay on Rodin and his work remains one of the best accounts of the sculptor’s working process and is among the most penetrating interpretations of his art.

By Will Stone Rodin has pronounced Rilke's essay the supreme interpretation of his work. (From the translators’ Preface) Auguste Rodin, 1840-1917, was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past. Rodin has pronounced Rilke's essay the supreme interpretation of his work. (From the translators’ Preface) Auguste Rodin, 1840-1917, was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his RILKE’S RODIN 1.
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By Rainer Maria Rilke. (Grey Walls Press. 7s. 6d.) AN essay on a sculptor by a poet of Rilke's distinction is almost inevitably more immediately fascinating than even the best-informed article by a critic or historian. It may be that the poet's essay reveals more of the poet than the sculptor, but nevertheless it will show at least an immediate sympathy, a moving sensitivity denied to the c By: Rainer Maria Rilke (1875-1926) Rodin has pronounced Rilke's essay the supreme interpretation of his work.

", I feel Rilke is talking of … Rilke’s work reflects his personal life and temperament. every bit good as. and possibly even more so. the oddly pessimistic historical clime that became obvious at the bend of the century.
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Verk och människor - Ellen Key - Google Books

It may be that the poet's essay reveals more of the poet than the sculptor, but nevertheless it will show at least an immediate sympathy, a moving sensitivity denied to the c Rainer Maria Rilke's strategy is quite different. Again, in the "Archaic Torso of Apollo," Rilke sheds light on his poetic experience via an external entity. I believe at the time this poem was written, Rilke was working for the legendary sculptor Rodin.

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Rilke on Love and Other Difficulties: Translations and - Goodreads

författare: Emma Rodin. the Fox preaches to the geese : en studie av ett ordspr k i senmedeltida ikonografi : a study of a proverb in late medieval iconography / Kerstin Rodin. 1983 In Rilke’s steamy state of mind Rodin’s every word rises in the air, so that when he points to two entwined ﬁgures and says: “c’est une création ça, une création . . .” the poet believes, he reports to Clara, that the word ‘créa- In 1902, Austrian poet Rainer Maria Rilke visited sculptor August Rodin in Paris to write an essay on the artist for a new series of German monographs. Writing with his usual intensity, Rilke’s poetic language and passion for Rodin’s art make this an engaging account of the artist’s life and work.

Verk och människor - Ellen Key - Google Books

A few years ago the sculptor expressed to the translators the wish that some day the book might be placed before the English-speaking public. The appreciation was published originally as one of a series of Art Monographs under the editorship of the late Richard Muther. Written in 1902 and 1907, these essays mark the entry of the poet into the world of letters. Rilke’s description of Rodin reveals the profound psychic connection between the two great artists, both masters of giving visible life to the invisible. 2016-12-14 · But Rodin’s greatest gift to Rilke was the very thing that lends Letters to a Young Poet its abiding spiritual allure: the art of empathy. Corbett writes: The invention of empathy corresponds to many of the climactic shifts in the art, philosophy and psychology of fin-de-siècle Europe, and it changed the way artists thought about their work and the way observers related to it for Rilke had said of Rodin that “reality was on his side”; similarly, the reality of things revealed itself to Cézanne because of his painstaking, even self-sacrificing, deliberateness. Cézanne had an “infinitely responsive conscience,” Rilke wrote, and the artist had earned a “limitless objectivity” that was codified in his manner of working.

Sculptor Auguste Rodin was fortunate to have his secretary Rainer Maria Rilke, one of the most sensitive poets of our time. These two pieces discussing Rodin's work and development as an artist are as revealing of Rilke as they are of his subject. Written in 1902 and 1907, these essays mark the entry of the poet into the world of letters. Rilke's description of Rodin reveals the profound Enraged with the rumors, Rodin forced newspapers and reporters to take photographs of the actual sculpture and the model to highlight key differences between the two (Rilke).